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(Fifty–R): Artists Amy Sherald, Yayoi Kusama and Georgia O'Keefe. Photo Courtesy: Amy Davis/Baltimore Dominicus/Tribune News Service/Getty Images; Toshifumi Kitamura/AFP/Getty Images; Tony Vaccaro/Getty Images

If yous've ever taken an fine art history course or spent time in a fine arts museum, chances are you know a lot about the men who "defined" their mediums. As with other subjects, most of what we acquire about art history today all the same centers on white men from Europe and, afterward, the United States. In reality, there are so many more artists of all genders to larn from and capeesh.

Hither, nosotros're specifically taking a await at just some of the women who have had lasting impacts on their art forms. From some of the art world's most iconic pioneers to its virtually unsung heroes, these women artists all had a paw — and, in some cases, all the same have a hand — in changing the world of art and how we ascertain it.

Laura Wheeler Waring

Laura Wheeler Waring'due south portraits Anna Washington Derry and Alice Dunbar Nelson. Photos Courtesy: National Portrait Gallery/Wikimedia Eatables

Laura Wheeler Waring was an artist and educator who taught at Cheyney Academy in Pennsylvania for more than 30 years. After studying the work of painters similar Cézanne and Monet while away, she returned to the United States, becoming all-time known for her portraits of prominent Blackness Americans, many of which were painted during the Harlem Renaissance.

Cindy Sherman

Ii photographs from Cindy Sherman'south Untitled Motion-picture show Stills (1977–80). series. Photos Courtesy: Museum of Modernistic Art (MoMA)

Photographer Cindy Sherman was role of the Pictures Generation during the 1980s, and is perhaps most well known for her series of Untitled Film Stills (1977–fourscore) — cocky-portraits in which Sherman "posed in the guises of various generic female motion picture characters, amid them, ingénue, working daughter, vamp, and alone housewife" (via MoMA). In this series, and those that followed, Sherman used photography to question the media's influence over our individual and collective identities.

Yoko Ono

A yet from the operation Cut Piece, 1964, and a movie of the installation Half-A-Room, 1967, as seen at the Museum of Mod Art in New York City in 2015. Photos Courtesy: Museum of Modern Art (MoMA)

Yous might first remember of Yoko Ono as a musician and activist, but she's also an accomplished performance and conceptual artist. Ono was considered a pioneer in the performance art motility, earning the nickname the "Loftier Priestess of the Happening".

One of her nigh revered works, Cutting Piece, was a performance she offset staged in Japan; Ono sat on stage in a nice accommodate and placed pair of scissors in front of her, and, in an act of daring vulnerability, invited audience members to come on stage and cut away pieces of her article of clothing. "Art is similar breathing for me," Ono has said. "If I don't do it, I showtime to choke."

Betye Saar

Betye Saar'southward Blackness Girl's Window, 1969 (total and detail). Photos Courtesy: Museum of Modern Art (MoMA)

Before becoming a printmaker and activist, Betye Saar studied design and was employed every bit a social worker. A printmaking elective inverse her entire career trajectory — and, in plow, part of the trajectory of art history.

Saar was part of the Blackness Arts Movement in the 1970s and, through painting and aggregation, critiqued institutionalized racism and the racist stereotypes white people held toward Blackness Americans. "To me the trick is to seduce the viewer," Saar has said. "If you tin become the viewer to look at a work of art, then you might be able to give them some sort of message."

Frida Kahlo

People look at Frida Kahlo's 1939 painting Las Dos Fridas at the Globe Forum of Culture in 2007, which was held in United mexican states. Photograph Courtesy: Alejandro Acosta/AFP/Getty Images

It'south rare to notice someone who hasn't at least heard of Frida Kahlo. A cocky-taught painter from Mexico, she is best known for exploring themes like expiry and identity through her cocky-portraits. Kahlo ofttimes used bold, vivid colors to create her symbol-rich works, and was regarded every bit one of the most influential artists of the Surrealist move.

Yayoi Kusama

A viewer photographs inside the Aftermath of Obliteration of Eternity room during a preview of the Yayoi Kusama'due south Infinity Mirrors exhibit at the Hirshhorn Museum February 21, 2017 in Washington, D.C. Photo Courtesy: Brendan Smialowski/AFP/Getty Images

Yayoi Kusama started painting at a very young age, but she'south also known for her hyper-real sculptures, polka dots, installations, and then much more. Similar many of her peers, Kusama embraced the counterculture of the 1960s, employing nudity in much of her piece of work. Today, she continues to create works for her enduring Mirror/Infinity rooms series, which use mirrors and lit objects to create a sense of endlessness.

Amy Sherald

Old First Lady Michelle Obama (L) and artist Amy Sherald (R) unveil Mrs. Obama's portrait at the Smithsonian's National Portrait Gallery in Washington, D.C. on February 12, 2018. Photograph by Saul Loeb/AFP/Getty Images

Amy Sherald is an American painter and portraitist who depicts Black Americans, often doing everyday activities — something that became more common in portraiture writ large in the mid-19th century. Odds are that you recognize Sherald's work — and her signature grayscale pare tones — as she was the first Black woman to complete a presidential portrait for the Smithsonian'southward National Portrait Gallery.

Georgia O'Keeffe

In 1960, Georgia O'Keeffe poses outdoors beside a piece of work from her serial, Pelvis Serial Cherry With Yellow in Albuquerque, New Mexico. Photograph Courtesy: Tony Vaccaro/Getty Images

Known as the mother of American modernism, you likely associate Georgia O'Keeffe with her paintings of New Mexico's landscapes, flowers, skulls, and, just maybe, the skyscrapers of New York City. In the 1920s, she was the outset adult female painter to gain the respect of the New York fine art world, all past painting in her unique style.

Adrian Piper

Adrian Piper wins the Golden Lion for all-time artist in Okwui Enwezor'southward biennial exhibition All the World's Futures, part of the 56th Venice Biennale in 2015. Photograph Courtesy: Awakening/Getty Images

Adrian Piper became a pioneering minimalist, feminist, and conceptual artist in 1970s New York City. She used her piece of work to question society, identity, and racial politics by demanding the audience to confront truths about themselves. She oft challenged people on the streets of New York to guess her race, socio-economical class, and gender — all while dressed as a Black man with a fake mustache and sunglasses, or while wearing compelling statements on her clothes.

Shirin Neshat

Shirin Neshat's poses in front of a photograph in her exhibition Our Business firm Is on Fire at the Robert Rauschenberg Foundation in New York Metropolis in 2014. Photo Courtesy: Cem Ozdel/Anadolu Agency/Getty Images

Shirin Neshat left Iran in 1974 to study fine art in Los Angeles, California — before the Iran Islamic Revolution took place. She is all-time known for her photography, film, and video work, much of which explores the relationship betwixt Islam'south cultural and religious systems and women. Moreover, Neshat's works often create a sense of solidarity and empowerment.

Jenny Holzer

Jenny Holzer standing in front end of her installation at the Guggenheim Museum. Photo Courtesy: Marianne Barcellona/Getty Images

As a neo-conceptual artist, Jenny Holzer's piece of work focuses on words and ideas, which she puts on advertising billboards, projects onto buildings and adds to electronic displays or neon signs.

These works brandish phrases that deed as meditations on various concepts, such as trauma, knowledge, and hope. 1 of her more notable works, I Smell You On My Skin, makes the viewer question what kind of sentiment the sentence conveys.

Rebecca Belmore

Rebecca Belmore's Fringe, 2008. Photograph Courtesy: Fine art Gallery of Ontario (Ago)

Much of Rebecca Belmore's art addresses identity and history — and, in particular, houselessness and the voicelessness of the First Nations People in Canada. Every bit an Anishinaabekwe artist, she works to heighten awareness around the prejudice, violence, and attempted erasure of Indigenous North American culture. In 2005, she was the first Indigenous adult female to correspond Canada at the Venice Biennale.

Louise Bourgeois

A person looks at Louise Conservative' Spider. Photo Courtesy: Timothy A. Clary/AFP/Getty Images

While a prolific printmaker and painter, Louise Bourgeois is better known for her installation art and sculptures — similar the spider in a higher place — which were inspired by her ain experiences and memories. Throughout her career, she created revolutionary works during a fourth dimension when abstraction and conceptual art were the main styles shaping the art world.

Mickalene Thomas

Mickalene Thomas' A Lilliputian Gustation Outside of Dearest, 2007. Photo Courtesy: Brooklyn Museum

Heavily influenced by pop culture and pop fine art, Mickalene Thomas often embellishes her paintings with rhinestones and uses colorful acrylic paints. In her work, Thomas centers Black American women, whom she believes embody power and femininity.

Judy Chicago

Judy Chicago's seminal work The Dinner Political party. Photo Courtesy: Brooklyn Museum

Judy Chicago was one of the major figures within the early Feminist Art motion. As exemplified in her iconic work The Dinner Party, her installation pieces ofttimes examine the role of women in history and civilization — in the 1970s and before. While at California State University in Fresno, Chicago founded the first feminist art programme in the United States.

Augusta Fell

Augusta Vicious with i of her sculptures in the mid-1930s. Photo Courtesy: Andrew Herman/Archives of American Fine art/Wikimedia Commons

Augusta Savage was an American sculptor during the Harlem Renaissance who worked toward securing equal rights for Black Americans in the arts. In improver to creating breathtaking sculptures, oftentimes of Black folks, Cruel founded the Barbarous Studio of Arts and crafts in Harlem in 1932, and, a few years later, she became the first Black American elected to the National Association of Women Painters and Sculptors in 1934.

Carolee Schneemann

Photograph Courtesy: Museum of Modern Art (MoMA)

Known for her provocative functioning art practices, Carolee Schneemann is considered the progenitor of "torso art". (Merely look up her most famous work, Interior Gyre, and you'll run across what we mean.) She used her body to examine women's sensuality and liberation from the oppressive aesthetic and social conventions established past our patriarchal club.

Nan Goldin

Nan Goldin's Christmas on the Other Side, Boston, 1972. Photo Courtesy: Wikimedia Eatables

Famous for her in-the-moment photography, Nan Goldin's piece of work challenges traditional power relations. In addition to documenting New York Metropolis'southward queer subculture postal service-Stonewall, Goldin explored the HIV/AIDS crunch, opioid epidemic, and LGBTQ+ bodies.

Elaine Sturtevant

Warhol's Marilyn Monroe (1967) by Elaine Sturtevant. Photo Courtesy: Ben Stanstall/AFP/Getty Images

Does this expect like an Andy Warhol to you? Well, that'due south the idea! Elaine Sturtevant, who went by her last name professionally, was a conceptual creative person known for her inexact replicas — that is, not-quite-right copies of large-name artists' piece of work.

Some artists and critics encouraged her efforts, while others became quite angry. Nonetheless, Sturtevant used her works to explore the concepts of authorship, originality, and the structure of art civilization.

Ruth Asawa

Diverse hanging sculptures by Ruth Asawa at the De Immature Museum in San Francisco. Photo Courtesy: View Pictures/Universal Images Group/Getty Images

During the 1960s, Ruth Asawa created increasingly complex wire sculptures. A San Francisco-based artist, Asawa's last public commission was the Garden of Remembrance at San Francisco State Academy, which was created to recognize Japanese Americans who were interned during Globe War Two.

Catherine Opie

Catherine Opie attends the 2007 Guggenheim International Gala on Nov 8, 2007 in New York City. Photo Courtesy: Shawn Ehlers/WireImage/Getty Images

Known for her studio, portrait, and landscape photography, Catherine Opie has been a photographer since the age of nine. She uses her photography to examine social norms, and, in doing so, displays diverse subcultures in formal portraits — simply in a mode that conveys power and respect by evoking traditional Renaissance portraiture.

micha cárdenas

Still from Sin Sol (No Sun) VR game. Photo Courtesy: micha cárdenas/YouTube

micha cárdenas is an creative person, author, theorist, and assistant professor who won an Impact Award at the Indiecade Festival in 2020 and the Creative Award from the Gender Justice League in 2016. She believes education is the path to liberation and uses VR and art to address global issues such equally racism, gendered violence, and climatic change.

Lee Krasner

Lee Krasner: Living Color exhibition at Barbican Art Gallery on May 29, 2019 in London, England. Photo Courtesy: Tristan Fewings/Getty Images for Barbican Art Gallery

Lee Krasner was an Abstruse Expressionist painter who as well specialized in collaging. Her works capture a spirit of relentless reinvention, from her Cubist drawings and assemblage to her portraits and murals for the Works Progress Administration (WPA).

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